All Antonio Canova Oil Paintings

Italian Neoclassical Sculptor, 1757-1822
 
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Antonio Canova Recreation by our Gallery oil painting


Entspannung durch unsere Galerie
Gemälde IDENTIFIZIERUNG::  32542 		Entspannung durch unsere Galerie
mk79 1789-1790
mk79 1789-1790
   
   
     
Antonio Canova Recreation by our Gallery oil painting


Entspannung durch unsere Galerie
Gemälde IDENTIFIZIERUNG::  32614 		Entspannung durch unsere Galerie
mk79 1798
mk79 1798
   
   
     
Antonio Canova Marble oil painting


Marmor
Gemälde IDENTIFIZIERUNG::  38548 		Marmor
mk138 160x65x85cm In der Koniglichen Antikensamm-Lunge seit 1830 übertragen auf den Nationalgalerie in 1878
mk138 160x65x85cm In the Koniglichen Antikensamm-lung since 1830 transferred to the Nationalgalerie in 1878
   
   
     
Antonio Canova Tomb of Pope Clement XIII oil painting


Tomb of Pope Clement XIII
Gemälde IDENTIFIZIERUNG::  62405 		Tomb of Pope Clement XIII
1792 Marble Basilica di San Pietro, Vatican Here, too, Berninian references are not lacking, as in the figure of the pope, but the overall setting places the whole amongst the finest works of Neoclassical in general, not just in Rome. The asymmetrical figures of Religion and Genius generate a circular movement that pervades the entire composition. Author: CANOVA, Antonio Title: Tomb of Pope Clement XIII Form: sculpture , 1751-1800 , Italian , religious
1792 Marble Basilica di San Pietro, Vatican Here, too, Berninian references are not lacking, as in the figure of the pope, but the overall setting places the whole amongst the finest works of Neoclassical in general, not just in Rome. The asymmetrical figures of Religion and Genius generate a circular movement that pervades the entire composition. Author: CANOVA, Antonio Title: Tomb of Pope Clement XIII Form: sculpture , 1751-1800 , Italian , religious
   
   
     
Antonio Canova The Three Graces Dancing oil painting


The Three Graces Dancing
Gemälde IDENTIFIZIERUNG::  62546 		The Three Graces Dancing
1799 Tempera on paper Canova Museum, Possagna Canova mentioned "various ideas on dances, the play between nymphs and cupids, muses, philosophers, etc., sketched exclusively for the artist's own study and enjoyment." There is little doubt he was referring to the tempera cycle at Possagno and similar sketches now in Bassano. Picking up the themes and techniques discovered in Herculaneum, Canova created brightly coloured mythological figures that stand out against the black background. These sketches are the forerunners of themes and figures he would later sculpt. The picture shows a detail from a frieze. Author: CANOVA, Antonio Title: The Three Graces Dancing Form: graphics , 1751-1800 , Italian , mythological
1799 Tempera on paper Canova Museum, Possagna Canova mentioned "various ideas on dances, the play between nymphs and cupids, muses, philosophers, etc., sketched exclusively for the artist's own study and enjoyment." There is little doubt he was referring to the tempera cycle at Possagno and similar sketches now in Bassano. Picking up the themes and techniques discovered in Herculaneum, Canova created brightly coloured mythological figures that stand out against the black background. These sketches are the forerunners of themes and figures he would later sculpt. The picture shows a detail from a frieze. Author: CANOVA, Antonio Title: The Three Graces Dancing Form: graphics , 1751-1800 , Italian , mythological
   
   
     
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VORHERIGER KÜNSTLER       NÄCHSTER KÜNSTLER     
     Antonio Canova
     Italian Neoclassical Sculptor, 1757-1822

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